Christopher, Alexander. Notes on the Synthesis of Form. 1971, reprint of 1964.
Cole, Bruce. The Renaissance Artist at Work: From Pisano to Titian. New York: Harper & Row, Publishers, 1983.
Bucher, Francois. Architector: The Lodge Books and Sketchbooks of Medieval Architects. Vol. I. New York: Abaris Books, Inc., 1979. (See Chapter on Villard de Honnecourt and Master WG.)
Camfield, William A. "Juan Gris and the Golden Section." The Art Bulletin. (March 1965): 128-34.
Dubery, Fred and John Willats. Perspective and Other Drawing Systems. New York: Van Nostrand Reinhold, 1983, reprint of 1972. (Chapters 3 & 4 on oblique projection, isometric projection, and the development of perspective.)
Durer, Albrecht (1471-1528). The Complete Engravings, etchings, and drypoints of Albrecht Durer. Ed. Walter L. Strauss. New York: Dover Publications, 1972.
Falda, Giovanni Battista (1640-78). Li giardini di Roma, disegnate da Giovanni Battista Falda. Nordlingen: Uhl, 1994. (Fascimile of the original 1670 series of architectural and landscape views.)
Ferriss, Hugh. "Three Stages of a Rendering." Pencil Points 2 (January 1921): 6-9.
Filippi, Elena. Maarten van Heemskerck (1498-1574): inventio urbis. Milano: Berenice, 1990.
Fiorani, Francesca. "The Theory of Shadow Projection and Aerial Perspective: Leonardo, Desargues, and Bosse," in Desargues en son temps, eds. J. Dhombres and J. Sakarovitch, 267-282. Paris: Librarie Scientifique A. Blanchard, 1994.
Frangenberg, Thomas. "The Image and the Moving Eye." Journal of the Warburg and Courtauld Institutes 49 (1986): 150-71.
Gage, John. Colour and Culture. London: Thames and Hudson, 1993.
Herbert, Robert L., ed. Modern Artists on Art. Englewood Cliffs, NJ.: Prentice-Hall, Inc., 1964.
Hiroshige, Ando (1797-1858). One Hundred Views of Edo. Leningrad: Aurora Art Publishers, 1989.
Hockney, David and Charles M. Falco. "Optical Insights into Renaissance Art." Optics and Photonics News 11.7 (July 2000): 52-59. (See also the Weschler, Lawrence article)
Huxtable, Ada Louise. "Architectural Drawings." In Architecture Anyone? New York: Random House, 1986. 272-284.
Inoue, Mitsuo. Space in Japanese architecture. 1 st ed. Translated by Hiroshi Watanabe. New York: Weatherhill, 1985.
Itten, Johannes. The Elements of Color. Translated by Ernst Van Hagen. New York and London: Van Nostrand Reinhold Co., 1970.
Kasprisin, Ron and James Pettinari. Visual Thinking for Architects and Designers: Visualizing Context in Design. New York: Van Nostrand Reinhold, 1995.
Kemp, Martin. Geometrical Perspective from Brunelleschi to Desargues: A Pictorial Means or An Intellectual End? From the Proceedings of the British Academy, London, Vol. LXX. Oxford: Oxford University Press, 1984.
Kemp, Martin. "Science, Non-Science, and Nonsense: The Interpretation of Brunelleschi's Perspective." Art History I (1978): 134-61.
Kepes, G., ed. Module Proportion Symmetry Rhythm. New York: George Braziller, 1966.
Lavin, Marilyn Aronberg. "Closing the circle on Piero della Francesca (geometry, computers, and art studies)." Smithsonian. 23.9 (December 1992): 122-34.
Little, A. M. G. "Perspective and (Hellenistic) Scene Painting." The Art Bulletin. 19.4 (December 1937):487-95.
Moholy-Nagy, Lazlo. Vision in Motion. Paul Theobald & Co., 1965.
Noguchi, Isamu. Isamu Noguchi: A Sculptor's World. Foreward by R. Buckminster Fuller. New York: Harper & Row, Publishers, 1968.
Nuti, L. "The Perspective Plan in the Sixteenth Century: The Invention of a Representational Language." The Art Bulletin 76.1 (1994): 105-28.
Panofsky, Erwin. Perspective as Symbolic Form. New York:
Zone Books, 1991. ( See sections I-IV, pages 27-72.)
Rasmusssen, Steen Eiler. Experiencing Architecture. Campbridge, MA.: The MIT Press, 1959.
Ruskin, John. "On Composition." The Elements of Drawing. New York: Dover Publications. 161-211.
Ruskin, John. The Laws of Fésole: Principles of Drawing and Painting from the Tuscan Masters. New York: Allworth Press, 1996.
Summerson, John. "Viollet-le-Duc and the Rational Point of View." In Heavenly Mansions and Other Essays. New York and London: W. W. Norton & Co., 1963. 135-58.
Tange, Kenzo and Yasuhiro Ishimoto. Katsura Villa: Tradition and Creation in Japanese Architecture (& Photography). New Haven and London: Yale University Press, 1972.
Vero, Radu. Understanding Perspective. New York: Van Nostrand Reinhold Co., 1980.
Viollet-le-Duc, Eugène Emmanuel. "Study of Proportions." In Discourses on Architecture. Translated by Henry Van Brunt. Boston: James R. Osgood and Co., 1875. 409-37.
Vredeman de Vries, Jan. Perspective. New York: Dover Publications, 1968.
Weschler, Lawrence. "The Looking Glass: How did the Old Masters draw so well?" The New Yorker (January 31, 2000): 65-75. (Presents theory of drawing by David Hockney)
Westerbeck, Colin. Yasuhiro Ishimoto: A Tale of Two Cities. 1 st edition. Chicago: The Art Institute of Chicago, 1999. (Color wood block prints - spatial relationships)
Wheelock Jr., Arthur K. Vermeer (1632-75): the complete works. New York: Harry N. Abrams, 1997.
Wilton-Ely, John. Giovanni Battista Piranesi: The Complete Etchings. 2 vols. San Francisco: Alan Wofsy, 1994.